Equipment Gallery

Adaptability and commitment to excellence. Explore the equipment I have to offer and how I can contribute to your success. Please see below an outline of equipment I use to make your performance or event stand out from the crowd.

*additional equipment (subwoofers, lapel mics etc.) available for additional fee, barring availability

 

Digital Mixer

Allen & Heath QU 16 

The Allen & Heath Qu-16 is a compact digital mixer designed for live sound, recording, and installation. It offers powerful features:

  • 16 Mono Mic/Line Inputs with high-quality AnalogiQ preamps

  • 3 Stereo Line Inputs

  • 4 FX Engines with studio-quality effects

  • 4 Mute Groups for quick control

  • 4 DCA Groups for flexible mixing

  • 12 Mix Outputs (including 4 mono and 3 stereo mixes)

  • Motorized Faders for fast scene recall and automation

  • Touchscreen Interface for intuitive control

  • Multitrack Recording to USB (18 channels) and via Qu-Drive

  • USB Audio Interface (24 in / 22 out) for DAW integration

  • Remote Control via iPad with Qu-Pad app

  • Built-in Talkback Mic Input

  • Assignable Soft Keys for custom workflow

  • Compatible with AB168 AudioRack for I/O expansion

Speakers

JBL JRX 215 Mains

  • Power Rating: 250 W continuous / 1000 W peak 

  • Frequency Range (‑10 dB): approx 41 Hz to 18 kHz 

  • Usable Frequency Response (±3 dB): approx 59 Hz to 13 kHz 

  • Sensitivity: ~ 99 dB SPL @ 1 W/1 m 

  • Max SPL (peak): about 129 dB 

  • Nominal impedance: 8 ohms 

Speakers-Mains or Monitors

Yamaha S112V 12" main/monitors

Yamaha S112V – Key Features

  • 2‑way passive full‑range loudspeaker

  • 12‑inch woofer (low frequency driver)

  • 2‑inch titanium diaphragm tweeter for high frequencies 

  • Constant Directivity horn (90° × 40°) for even dispersion

  • Frequency response: approx 60 Hz ‑ 16 kHz (‑10 dB)

  • Power handling:
     • Program rating: ~ 350 W 
     • Peak rating: up to ~ 700 W

  • Sensitivity: ~ 97 dB (1 W, 1 m) 

  • Maximum SPL: about 126 dB peak

  • Nominal impedance: 8 ohms 

Microphones

Dynamic Microphones – Wired & Wireless 

Dynamic microphones are robust, versatile mics commonly used for live sound, public speaking, and studio applications. They work by converting sound into an electrical signal through a moving coil and diaphragm system, making them highly durable and reliable in various environments.

Wired Dynamic Microphones

  • Reliable signal: Direct connection ensures consistent audio quality with no risk of interference.

  • No batteries required: Operates without the need for power or charging.

  • Durable design: Withstands rough handling and high sound pressure levels, ideal for vocals and instruments on stage.

  • Consistent quality: Delivers clear, focused sound with good rejection of background noise.

Wireless Dynamic Microphones

  • Freedom of movement: Ideal for performers, speakers, and presenters who need mobility.

  • Built-in transmitter: Usually housed in the microphone body or a bodypack, transmitting audio to a receiver unit.

  • Battery powered: Requires regular charging or battery replacement.

  • Reliable over short to medium range: Modern wireless systems offer clear transmission with minimal dropouts when used within range and with proper setup.

Stage Monitors

Stage Monitors – Powered & Passive Loudspeakers 

Stage monitors, also known as floor monitors or wedge speakers, are essential tools for live sound, allowing performers to hear themselves and other elements of a performance clearly. They are designed to project sound directly toward the performers on stage, helping with pitch, timing, and overall stage coordination.

Powered (Active) Stage Monitors

  • Built-in amplifier: No need for an external power amp — just plug in signal and power.

  • Simpler setup: Ideal for portable systems and quick stage configurations.

  • Independent volume control: Each monitor can be adjusted separately for personal mixes.

  • Great for small to mid-sized venues: Efficient and compact solution for bands, DJs, and speakers.

Passive Stage Monitors

  • Require external amplification: Connected via speaker cables to a separate power amplifier or powered mixer.

  • Flexible routing: Often used in larger systems where centralized amplification and signal control are preferred.

  • Lighter weight: Without internal amps, passive monitors are usually lighter and more durable.

  • Cost-effective for larger setups: Multiple monitors can be driven from a single amp channel with proper impedance management.

Power Amps

Power Amplifiers – Basic Function

Power amplifiers boost low-level audio signals (typically from mixers or processors) to a level strong enough to drive passive loudspeakers. They are essential in passive systems and must match the speaker’s power and impedance requirements for optimal performance.

Good Qualities of Power Amplifiers:

  • Clean, high-headroom amplification with low distortion

  • Stable performance under demanding loads and long durations

  • Thermal and overload protection to safeguard connected equipment

  • Multiple channels for flexibility in multi-speaker setups

  • Signal processing features (on some models), such as crossovers, limiters, and EQ

  • Efficient cooling systems for reliability during continuous use

Analog Mixers

Analog Mixers – Function and Qualities

Analog mixers (or mixing consoles) are essential tools in both live sound and studio environments. They allow multiple audio signals—such as microphones, instruments, or playback devices—to be blended, adjusted, and routed to outputs like loudspeakers, recorders, or monitors.

Function of Analog Mixers

  • Signal mixing: Combine multiple audio inputs into one or more outputs.

  • Level control: Adjust the volume of each channel independently.

  • Tone shaping: Use built-in EQ controls to adjust bass, mid, and treble frequencies.

  • Routing flexibility: Send audio to main outputs, monitor mixes, subgroups, or external effects.

  • Gain staging: Control input sensitivity for clean, distortion-free sound.

  • Phantom power: Provide +48V for condenser microphones and active DI boxes.

16 Channel Stage Snake

On-Stage 16-Channel Stage Snake 

The On-Stage 16-Channel Stage Snake is a rugged and reliable solution for organizing and extending audio connections between the stage and mixing position. Designed for live sound, studio, and installation use, it simplifies multi-channel setups by consolidating microphone and line-level signals into one organized cable system.

Key Features:

  • 16 balanced XLR send channels for microphones, instruments, or line-level sources

  • 4 balanced XLR return channels (also known as sends to the stage) for monitor mixes or powered speakers

  • Durable stage box with clearly labeled inputs and outputs for fast setup and signal routing

  • Color-coded or numbered connectors for easy identification

  • Heavy-duty, shielded cable to protect against interference and signal loss over long distances

  • Strain relief and reinforced connectors to withstand stage use and frequent handling

  • 50 Foot Cable